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Figure 10.10 Cross sections of the 3D irradiance produced by the eld C(r, f) ~ ~ ~ ~ ~ 10c1,1 =3 2c5,3 c9,5 =16 c13,7 =312 c17,9 =6950 as a function of defocus. The horizontal axes are in units of w0 . Frames correspond to uniform defocus steps over the range ~ z [ 3w2 =l, 5w2 =l]. cmnt is described in Eqn. (3.38) and Problem 4.2. 0 0

For precision, you should always use an object snap when defining the base point. If the base point that you need to use is not on any object, you can use the From object snap, object snap tracking, or some other means of specifying a precise coordinate.

You may have noticed a small, triangle-shaped exclamation icon in the Histogram panel. It indicates that the currently displayed histogram is being created with cached information not the very latest info. This happens when you make an edit to an image. The histogram changes, but it isn t a precise representation of the changes. To update the histogram so it s using the most current information, click the exclamation icon or the Refresh button directly above it. (You can also select the Uncached Refresh option in the panel menu to update the cache.) One of the cool things about the Histogram panel is that it updates in real time as you edit a

FIGURE 1.4 Each layer always has an eye icon (hidden if the layer is invisible), a thumbnail, a name, and, potentially, a lock icon.

If the Options bar is hidden or you just don t like reaching to click the button, you can commit text by selecting any other tool, clicking any palette but the Character or Paragraph palette, or pressing Ctrl+Enter ( +Return on the Mac). While you re in text-editing mode, most menu commands are unavailable. You must commit the text or cancel the current type operation to regain access to them. To abandon your type operation, click the Cancel button the no symbol at the right end of the Options bar or press Esc.

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ugement Sciences, 7: 113-142, 1977. [242] M. Reiser. A queueing network analysis of computer communication networks with window flow control. IEEE Transactions on Communications, 27(8):1199-1209, 1979. [243] M. Reiser. Mean value analysis and convolution in closed queueing networks. [244] M. Reiser and H. Kobayashi. and computational 294, 1975. algorithms. Performance method for queue dependent servers 1(1):7-18, 1981.

1. Select the table in the Navigation pane. 2. Select the Create tab on the Ribbon. 3. Click the Form group s More Forms button and then click Datasheet.

I COS(WI - 315' )

I d start out with 10 levels, but experiment with various values to test the effects of fewer (or more) shades of gray. Posterization can be a great way to capture a viewer s attention.

Because most users printing from Acrobat are likely to use printer profiles that were shipped with their desktop printer, I ll stick to talking about these profiles. If you re a creative professional who depends on accurate color proofing, take a look at Color Correction For Digital Photographers Only (Wiley Publishing, 2006) or Color Correction For Digital Photographers For Dummies (Wiley Publishing, 2007). There s much more to color profiling than can be described here, so a little research can help you get closer to producing accurate color. When you print your PDF files to your color desktop printer, you make a choice for using a color profile at the time you print your file. You may see a list of color profiles in the Advanced Print Setup dialog box or you may only see the name of your printer. If you see just your printer s name, color profile selection is made automatically by the print driver. Choosing a paper in your print driver options tells the printer what profile to use, hence the color profile choice is automatic. Regardless of how the color profile is selected, a color conversion takes place from your color workspace to the colorspace of your printer. In essence, the conversion is an attempt to fit all the color you see on your monitor into the printable colorspace on your printer with as close a match as possible.